I don’t have any pretty pictures (yet) today. I dove back into Collage Unleashed last night, since I can now *find* my worktable under all the crap that used to live in my studio. More on that in a bit. But the exercise I’m on has you do this textured gesso-with-words thing, and I didn’t have rosin paper.
Apparently, “rosin paper” is this giant red roll of stuff you get at the hardware store. They use it for roofing, instead of tar paper. I know this because I had to look it up — I’d never heard of such a thing before, and needless to say, it wasn’t residing in my studio. Which is kind of surprising, since I apparently had EVERYTHING ELSE ON THE PLANET.
I ended up using some paper of unknown origin that was residing in my paper roll basket. (I have a rolling basket — metal mesh, on wheels — that’s full of rolled up papers. Decorative ones, watercolor sheets, bizarre large pieces of vellum. All kinds of crazy stuff I’ve collected over the years with the good intentions of using it someday.
I figured today was as good of a someday as any, so I lopped a large roll into 9 x 11 sheets, and got to work.
The exercise is largely multi-step. Gesoo, glaze, paint, letter, do something to the edges, gold leaf, etc., etc.. (I don’t have any leafing pens, so I’m skipping that step.) So I’m through the first few steps and getting ready to do the oil pastels on top of the top of the other five bazillion layers. And while it’s still MUCH more chaotic than I’m used to, and more complicated than I generally like in my own work, I’m finding that I like this a little more. Especially knowing that it’ll be hacked up as decorative paper, rather than being an end unto itself.
There’s also the fact that there’s less chaos in my studio, in general. I got the curtains done, though I think I want to add tab-tops to them and hang them on some kind of rod at some point. (J found me a big stick — I’m thinking about making the curtain rod a limb instead of a metal rod. It’s more tactile and natural, and I like that idea.) I think I have a picture…lemme look here….
Aha! From when I had one done:

(Ignore the clutter. That’s all gone now, too.)
But it’s looking much more “grown up” in there (as opposed to the sheet that was tacked to the wall over the window before), and now with the major, MAJOR declutteration, there’s so much less chaos that I think I’m a little more accepting of the chaotic nature of the exercises in this book. (Clutter affects everything, see.) Not that I’m planning on changing my style any time soon, but anything that helps me be more clear and likely to get into the whole Flow state is a good thing.
After last night’s purge, I’ve managed to get rid of almost three *thousand* things in my studio.
Three. Thousand.
From paper to bits of ephemera to tiny pieces of fabric on up to giant yards and yards cuts of fabric to tools I’m never going to get around to using…I’ve been purging out all the stuff in there that isn’t serving me and my purposes.
Not surprisingly, after handling all my Good Stuff, I’m feeling more creative in general now, too. Yay for positive side-effects!
Y’know, I was thinking about it all last night, while slopping paint onto some of the gessoed paper, and it occurs to me that the time in my life when I felt the most creative and productive was when I first moved to Seattle and got settled in. Much of that came from the company I was keeping, for sure, but a big part of it was the simplicity of it. I’d moved on the fly, taking with me only what I could carry. (Long story, but suffice it to say that I had to go, and right then.) I had very, very little by way of posessions. Like, one notebook, a couple pens, and a glu-stick. Not even the cheapie watercolors. Two art books that I read front to back twice over. (Biographies of Dan Eldon, actually, not even art technique books.)
Still, with that very limited focus, I was often like a WOMAN ON FIRE with the writing and the journaling and the drawing.
Now that I’ve had time and distance, and have some longer perspective on the time, I’m thinking that it’s not having the right materials that makes you creatively productive. It’s the lack thereof that makes you work with what you have instead. Creativity can’t help but happen when you’re having to come up with solutions, instead of just grabbing something from a store or the shelves.
Even when I had a little more money, and could buy what I wanted, the times i did the most journaling was when I was Out — on my bike with a backpack full of just the journal, pens, watercolors and glu-sticks. (And masking tape, because apparently, there are just as many uses for that as there are for duct tape, but it’s not as sticky. :>)
There is a lesson in here for me, people. One that I keep getting reminded of, from time to time, when I sit very quietly and listen to the voice of wisdom in my head. I have this realization, in varying forms, over and over again. And then I get all crazy busy and desirous of time to create, and stock up on so many art supplies and books that I’d never get through it all in a year (or ten), and wonder why I don’t do anything at all.
Well, duh.
I’m hoping this time, even though I didn’t have to slash-and-burn everything in my posession, I’ll learn my lessons well, and avoid the Restocking Of Creative Stiflement(tm).
We’ll see how it goes.
I’ll finish these papers up here in a bit, and if the weather cooperates, get pictures of them today. Wish me luck, I’m going in.